Book Chapters- The Moon to My Sun

Tetabiate’s Waltz

*note*

Right now the world is burning, and people are calling out everywhere for justice. I know it is scary, but this is the time that the world gets remade. Hold onto your loved ones. Do not stand for the murders of our Black siblings. Remember this is about police violence. Don’t get distracted.

 

I hope this song brings you comfort in uncertain times. Come make the world anew. Create with love.

 

 

Tetabiate’s Waltz

 

Revolution is not fought for glory

Revolution’s fought only for love

If you cannot write your own story

Don’t be looking for help from above.

The fire of God is within you

It always has been from the start

And it calls to your hands to continue

To follow the will of your heart.

 

Chorus:

Burn it down, Burn it down

Throw your heart on the pyre.

Burn it down, burn it down

Give your soul to the fire.

Can’t you see it is not broken

It’s doing what it’s meant to do.

And the smoke on which you are choking

Is the world that once belonged to you.

 

Your lips, they refuse to rain curses

Your hands hesitate on the sword

It’s not that you really fear dying

But you fear being held to your word.

There are thousands of children in cages

There are thousands of lives in the street

No one can live on these wages

If we panic, then we are all meat.

 

Let me sing you a song of my nation

30,000 who lived in the light

Of the sun that we all called our father

Before we were sent to the night

The 3,000 they left in the desert

To drink sand as our songs fade away

Build barbeques out of your pipeline

Burning bridges to light our own way

Book Chapters- The Moon to My Sun

Journal Entry 8/18/19

I decided to take my dead friend’s advice and sing Andante Andante to South, in hopes of not getting thrown around so much. I’ve never had such an intense physical connection with a Guardian before. He fucking loved it. Would not stop singing it, wanted to me sing it to him all the time. Who knew ABBA would be so popular? But what is better is that he/they got the message. All of them get all the messages. So he’s been much gentler with me, which is good, because I’m a little fragile right now with this wound vac and everything.

He, like East, has asked me to do something for him. To write him a song. I don’t write songs. Ok, I have written one song, but in general, not my wheelhouse. That doesn’t really matter to the hoops of heaven. They don’t really care if you undersell yourself or what kinds of insecurities you have. It’s more like you’re my witch, I’m your Guardian, I come when you call, you write me songs because you love me. Get with the program. So once again, as I was wheeling past the desk in my room, I got grabbed, albeit far more gently than before. That sweet sweet voice saying, “let’s write a song. Sing it to me over and over again. I will remember all the words.” Baby shoes. You know how people used to bronze baby shoes? It was a way to remember a person’s babyhood. I kept seeing baby shoes and it didn’t make sense. And then all of the sudden, it hit me. He wants to remember me this time. I have been so many people over the millennia, and I will be more. But there is something about Sewa that he wants to keep. It makes me cry just thinking about it. He wants a piece of me to live on. He coos at me, that what he made me write down is not a poem. It’s literal. He wants me to lay back against him and open my mouth and make a sound, any sound. I have to write this song. And he will help me. It’s my gift to him.

He guides me gently to the bed. I pile up the pillows and I feel pulled back. And it feels like leaning against a ball of electric snakes. I jump. I get pulled back, my head tilted back to open my throat. The words came streaming out onto the paper. And then, it all slowly dissipated. I felt breathless.

I decided to get up and have some lunch. I thought my work was done. I figured I could get help with the music. Except later that afternoon, I got pulled again. “We’re not done,” he said. Back to the pillows, back to the electric snakes. And finally, I sang it over and over. I had written a waltz about the end of the world. This seemed hilarious to me. What was worse was that the tune was just a little too hard for me to sing. So I had to practice it over and over. I cried at the end of the day, to be swept up in a process where I was literally held while I created. I could not stop weeping for the love.

Even being a witch of some 30 years or so, I still often wonder if it is all in my head. And then there are times when you are held tenderly in the arms of spirit and you make magic that you cannot do by yourself. I was left staring at this song that did not exist that morning. The glistening continued, a beautiful “thank you” from a deep mystery. I was singing. My voice was once more heard upon the Earth. Cracked and wavery, not really beautiful at all. It struggled and tried and sang. I was imperfect, a wonder, whose voice would always sing for the covenant between spirit and witch.

Would you like to hear it? I will share it with you.

 

 

Book Chapters- The Moon to My Sun

Journal Entry 8/15/19

“Je bent heel, mijn beetje.”

I whisper it, per Mighty B’s suggestion, as the nurse is unwrapping and bandaging my wound. The silver alginate, the hydro cortisone. Je bent heel, mijn beetje. The huge bandage, carefully applied.
Mijn beetje, mijn beetje. Mighty B says that Kees lives inside me now, sending me messages to stay here, to not fight, to just allow basic goodness. Now I say this to my wound, like a mantra. Can I bring that to my own body, can I tell my hip, myself, that I’m whole and well? First time practicing it. It feels strange in my mouth.

I remember that morning in Lelystat like I’m some other being looking out of my eyes. It is in the middle of the country, and there is pretty much nothing there. Just the natural gas fields, with their flames that would occasionally spew from the top of the tall metal towers, and the national bus terminal. In the pink and blue dawn light, it looks like a scene from hell. There are folks around, heading to work, but they won’t sit on the bench next to me. I am sitting at one end of the bench, beaten and leaking with one shoe. On the other side is a Romani woman. My friends have warned me about the people they call a name that is a slur. They are all thieves, they say. This woman is by herself, but she looks over at me now and then. She finally goes to the water fountain and wets a hanky. She comes over and wipes my face, dabs the eye that has swollen shut. I do not stop her. She points at my foot. I open my suitcase and take out my boots and put them on. I thank her in Dutch. She waves it away. She pats my hand. I realize in that moment that all the nice people on the platform are afraid of us. I offer her a mento. She takes the whole pack and I laugh. She laughs, too. I don’t fear her. It’s those people at the house that I fear. Rickard. And the police. All these good law-abiding well-dressed people.

But hearing these words in my mouth also reminds me of his face when he found me sitting on that bench. Rudy had called him and told him that he had seen me, looking like a ghost, standing by the canal with my suitcase and one shoe, and that I had disappeared. No one could find me. It never occurred to me to call Kees on the phone to come get me. Even in that situation, I felt too much like an imposition to wake him up. I just got on the bus. When he pulled up in front of the bench in Lelystat, he was so full of murderous rage, but Kees did not indulge it. He knew me well enough. He guessed that I would take the bus, and all buses go through Lelystat. He knew there was one goal, my safety. He somehow opened the door of the passenger side of the car with his foot and kicked it open without letting go of the steering wheel. His knuckles white, his voice shaking, staring straight ahead. “Stap. In. De. Auto.” Not even in English. He didn’t look at me. He’d been crying. Get in the motherfucking car. At dawn in Lelystat, you can hear a car at high speed from a long distance away. I listened to the doppler of that car for 15 minutes, thinking that car is traveling so fast, who would be driving so fast? I try not to think about that sound.

She says that I have to hold that now. That I have to be the one being goofy and singing ABBA songs, and silently loving this part of my body I’ve rejected. I have to be the one ruthlessly caring for this body. This is part of what is leaking out of me. This past. Among others.

I remember being invited to Samhain the year that Kees died, crying in some witch’s living room. Losing my shit. I was so embarrassed later. I did not understand who and what Kees was to me. He was the one who didn’t want anything. I was so wrecked. I looked into this black piece of polished stone and it was the first time that I saw him looking back at me, over my shoulder. I wish I had the knowledge I have now, of how to greet and honor the dead, instead of clinging and wailing.

All these years later, the Mighty B asks me, “how did it feel to have someone like that, who was there for you first? Do you want this in your life again?”At first, I refused. I wouldn’t say that I wanted that in my life. Or needed it. Nope. She says we’ll work on that. I’m able to say that now. I have people in my life that show up like that now. That is the life I live.

Mighty B asks why he changed the song. Doesn’t he usually lead with Chiquitita? She has an eerie memory and also an endless capacity to accept and work with the weirdness in my life. But it’s a good question. Huh. When we got back to Rotterdam, Kees took me to the hospital. I woke up and Kees, all 6’ 8” of him was curled up in the hospital bed with me. He was quietly singing Chiquitita and playing with my hair. If you could call what Kees did singing. He usually wanted me to listen to this song, to tell me there was hope.

Chiquitita, tell me what’s wrong

You’re enchained by your own sorrow

In your eyes there is no hope for tomorrow

How I hate to see you like this

There is no way you can deny it

I can see that you’re oh so sad, so quiet

Chiquitita tell me the truth

I’m a shoulder you can cry on

Your best friend, I’m the one you must rely on

You were always sure of yourself

Now I see you’ve broken a feather

I hope we can patch it up together

Chiquitita you and I know

How the heartaches come and they go

And the scars they’re leaving

You’ll be dancing once again and the pain will end

You will have no time for grieving

Chiquitita you and I cry

But the sun is still n the sky and shining above you

Let me hear you sing once more like you did before

Sing a new song, Chiquitita

This time, Kees motioned in the mirror to listen to Andante Andante. So after obsessively looking at the lyrics, of both songs, I have realized two things. Firstly, I am not Chiquitita anymore. I am not hopeless, actually. I am not filled with sorrow. I’m not a fucked up 17-year-old. And Andante, Andante is the answer to the invitation that Southern Guardian popped into my head the other day, would I be the moon to his sun? Basically, “yes yes, always yes, but don’t break your damn toys, ok?” And that is a very different person than the girl who wanted to die but changed her mind.

I want to live. I want to heal. I want to get this damn surgery and heal quickly and well and go get into more trouble. So if I have to whisper these words to my hip, I will. I carry Kees with me into the wound clinic with his words.

Some time ago I jokingly named my right hip Alfie, and said he had his own zip code. He gets his own seat on the plane, after all. But in doing this, even as a joke, I made Alfie the schizon, the shadow, the repository of all the pain and discrimination I have endured as a superfat person. I have in this way made this hip the other, not part of the whole of my body.  He’s no longer Alfie, I’ve decided. He’s mijn beetje. My little one. It’s sort of ironic, since my right hip is significantly bigger than my left. Now my hip is the troubled teen, and I am the person looking down with nothing but love in my eyes. I am whole. You are whole, dear one, mijn beetje. I can also feel the reiki people send in that headspace. I wonder if Kees felt it? I think he did. I don’t think he had the same kinds of filters as other people.

Also, I think my therapist is probably an enormous weirdo. I love her for it, even if this particular practice is very hard and makes me cry sometimes. I’m not fighting anymore. Ok, a little bit. Therapeutic resistance. We’ll get there.

Book Chapters- The Moon to My Sun

No Matter How Beautiful It Is

What do I say about our Suavecito of the South? He was the first Guardian I met, the companion of my childhood. I was a very magical child. My mom’s family are SDA and we had a prophet. Ellen G. White. I was convinced that this was going to happen to me as well. It was said that a prophet could breathe on a mirror and they would not fog it up, so I practiced this all the time. Such is the hubris of early childhood. After being fully informed by grandmother how I was not special in any way to God, I decided that I wanted to be a prophet for the stars. I had always been entranced by the night sky, and I was convinced they were angels. I would lie on the lawn in the evening and sing in my child voice, moving my arms to dance with them. I look back on this with wonder now at how I knew my place as a child, and how it took years to beat this out of me. I had a beautiful voice. This was not always a blessing. My mother would haul little four-year-old me out to sing Moon River to guests. I sang songs at church and at gatherings at my grandmother’s home. As a shy child, I hated this. My father finally took care of this situation by teaching me a different song. The lyrics were:

Once, I went in swimmin’, where there was no wimmin’

Or no one to see

Seeing no one was there, I hung my underwear

Upon a willow tree

Dove into the water bare, as Phaeroh’s daughter

Dove into the Nile

Someone saw me there, and stole my underwear

And left me with a smile.

The next time my mom trotted me out in front of a church group, I belted out this little ditty. My father nearly expired from laughter. My mother and grandmother were mortified, staring at me with mouths that looked like perfect Os. There was silence. My father looked so proud of me. I didn’t know what to do with the silence, so I did a great and dramatic curtsey, as if I was Leontine Price at the Met. My dad took me to get some ice cream before anyone could inhale.

I didn’t always want to sing for people. I wanted to sing for the stars. Sometimes the stars sang back. We would sing strange melodies and harmonies. As I got older, I took voice training. I studied opera. I sang in choirs. I would fall into ecstasies when singing in a choir, as my voice fell in with others and I became no self. The delusion lifted and I became part of the whole. At that point, we are part of the law of all things. After I sang at a church once, an older woman asked me where I was when I closed my eyes as I sang. I said that I was with my angel. She cried. But my mom and grandmother looked concerned. I guess that was not the right answer, but it was the truth.

I stopped singing in college. I kind of had to choose between music and science. I threw myself into research and graduate school. After a few years of bad bronchitis, my voice officially was done. And I stopped. When I stopped, my access to the ecstasy was gone. My guiding force was gone. All I was left with was my ambition. I began to forge my armor, piece by piece. You have no idea of what it is like to be a fat, queer, indigenous, disabled person in a prestigious graduate program. I have never felt like I was walking around with feathers in my hair more than every fucking day in Tolman Hall. I had to make armor to survive. And the sound of South’s voice faded and left me. I was bolted in tight, all by myself.

Luckily, there are many roads to ecstasy. So in my twenties I began trying to tug and pull at that armor, mostly through the use of entheagens. My first time on taking Ecstasy (the drug of that name) was in Guerneville. We were going to the Russian River for Spring Break. All of us were in graduate school at Cal and we needed to just stop and reconnect with our humanity. We decided that we would go up to the Willows for a few days to just relax, smoke a lot of weed, and play in the water. And that should have been the extent of this story. Except for the fact that I’m Sewa, and that isn’t how I do things.

The friends I was with didn’t do that either. We were all spiritual explorers in some way. Mostly every morning was spent eating muffins and drinking coffee, all provided by the lovely proprietors. We would lounge about on the deck and read tarot cards or do whatever divination called to us that day. I was just learning the tarot at the time, and I was such a baby witchlet. It was the time of the New Age. I tried the crystals and the flower essences and what not. Some of it connected, some of it did not. By far the best thing I got out of the New Age exploration was opening to channel and meeting my spirit guide, Sarofi, my eternal companion. But there were always ways in which I didn’t fit the mold. Not being white will do that. For example, all the white people seem to have taken all the guides that are love and light, the diaphanous and beautiful. But Sarofi is always surly and on fire, and I could not love them more. When we met, I asked why they chose me. They replied, “You don’t know who you are yet. I have been waiting for you for millennia. We are going to get into so much trouble. We are going to change the world.” And in some ways, we have.

Gabrielle decided that this day we were going to go to the redwoods, and she had brought along some Ecstasy. I had never done that before, but my twenties were all about experiences and I was curious and wanted to try it. I was pretty much game for anything those days. Sarofi was hovering about and was excited. While the others were getting ready I was sitting on the deck waiting to go. Sarofi softly said, “This is the day, my love. This is the day.” I kept wanting to ask about it, but just then my friends returned. Gabrielle handed me a cup filled with cranberry juice. She was smiling. “Bon Voyage,” she said, tipping her own cup down her throat. I did the same.

As folks were packing up, I could feel the shimmering coming on. My whole body felt a tingling, like anticipation. Then I could feel my friend Pablo’s hands on my shoulders. He could tell that I was starting to feel the drug. We packed up and headed to the forest, which was only a mile or so away. But I could not make myself get into the car. I didn’t want to be in a confined space. So off we went, with me hanging out the passenger window to my waist in Gabrielle’s old Honda Accord like a dog happy to have their face in the wind.

People often have judgements about experiences they have on drugs, like drugs invalidate the truth of what they experience. That happens in monophasic cultures who only see reality in one phase of consciousness. Only waking consciousness is considered reality in this culture. That same reality is considered delusion in Buddhism, where mindfulness is the only reality. In polyphasic cultures, there are different realities. All of them valid and true for the reality in which they occur. I will tell you this, that moss on a tree if soft. That some trees smell sharp and others smell like vanilla. That the sound of a wild stream talks to you. And all that I could feel was that this drug let me touch the moss, the tree and the stream, where I normally would not have done so. Sarofi just kept saying, “listen” and so I did.

The other thing that this drug in particular did was to crack off the armor that I wore every day. Between the discrimination I dealt with at school every day and the fact that riding a bike in public was an invitation for assault, I can have a lot of compassion for myself building such hard armor. It was shiny and tough, and combined with a spirit that tended to push through the hard stuff, I often was a juggernaut that got my way. We can’t really be present in the world and listen through the armor, though. It muffles the voices of living things. You can’t feel the softness of moss on a tree through it. And the second armor that snaps shut around your heart stands in the way of love. When people see you armored, they will often take a swing at you. The only way to truly to be brave in this world is to take that armor off. The only way to be invincible is to drop it at your feet in a pile and say, “here I am.” So after hiding in trees and petting moss and swimming in the stream naked (much to the consternation of the park rangers), we found ourselves quietly sitting in the forest theater as we realized that we had been here all day and that we weren’t feeing high anymore. Some of the others decided this was the time to smoke the weed we brought. But two of us didn’t want to do that. We just wanted to be there, in this beautiful place, without our armor, to contemplate everything that had just happened.

It was getting dark and cold so we headed back through the park to the car. The others were walking ahead of us, laughing and silly, but Pablo and I hung back and walked silently. It had gotten dark and we were following the white lines in the road through the dark forest. We could hear the animals starting to stir as they reclaimed their kingdom. We held hands, because that is what one does in a darkened forest with open hearts when you can’t see your way. And then. And then we came out of the forest into an open area where the sky was full of stars. And then. And then I looked up. The others were finding constellations and naming them. But I kept looking at the stars. And then I said to Pablo, “I can hear them singing.”

It was the last thing I remembered that made any sense. And evidently the last thing I said before I hit the pavement.

“Today is the day,” said Sarofi, gently, with no surliness at all.

I heard a voice, the most beautiful voice. It sounded like it was echoing through a brass instrument. It sang to me. I stood there, stunned, and it said my name. My true name. “Namariel, Namariel, it is time to wake up.” I felt like I was in love. I felt like I was flying. “It is time to build the new world. It is time to begin your work.”

“What is my work?”

“To make family, to build worlds, to construct gates. You make the container for magic in the world.”

I laughed. “whuh? Me?”

It laughed, too. “I will sing you awake, Namariel. Come to me.”

And I found myself lying on the ground in the middle of the road, surrounded by my friends, with a ranger shining a light in my eyes. I was mumbling but not really responsive. They thought I was having a seizure. I looked up at them and said, “How did I get on the ground?”

The next morning, I was up first. I went down to get muffins and coffee and just sat there, listening. I had a strange dream, about an ancient force that loved me. It bent to pet me and I could feel something like a smile as it folded and unfolded in the starry sky. All I could do was cry. I woke up crying. Pablo had petted my back and went back to sleep. I got up and slipped downstairs to be in the quiet morning. The mist still clung to the willow trees and over the grassy lawn that stretched down to the river. I walked down to the water and it taught me a song, a song for spinning the lines of the world into ropes. I sang it over and over. The song seemed pleased. I went back to my coffee.

By then, Pablo was up. He came down to look for me. “Are you ok?” he asked as he hugged me.

“I’m fine. It’s strange, but fine. I feel Sarofi so close now. And everything in this world is so beautiful. Even pain. Even the hard things,” I said as I put my head on his shoulder. We sat like that until the others drifted in to check on me. They smoked more weed, and I didn’t. This concerned them. But it was interesting, I did not do any drugs for the next 6 months. It was like everything that wanted to take me away from this place I avoided. I cried at the drop of a hat. I meditated a lot. I was trying to understand what happened, to deal with the feelings around being touched by something so difficult to describe. I was awake, but still unclear about what they wanted from me. It never occurred to me that I should be afraid.

Years later, I was talking with my friends about the story of the Sky People and the Suremem. I stopped in the middle and looked at Pablo. “I think I understand now. The thing that talked to me in Guerneville. Maybe it knew me from before. Maybe it was a Sky Person.” Pablo had started studying witchcraft by then. He was in a school of a branch of Star and Serpent and this was how I was introduced to the tradition that would become my home. He put his hand on mine and said, “There are beings of the Outer Darkness. Maybe they are calling you.”

We talk about having a calling, but it is actually a hard thing to hold. I think it is harder for me to hold because of the ways in which the world sees me as less valuable than other people, even down to refusing me medical care and safety. After awhile I started to believe that, too. But for some reason, this hawk on fire wants to be my guide. And this mystery folding and unfolding in the stars wants to dance and write songs with me. It is a constant struggle to remain awake. Being awake means that I have work to do. I was called, so it is my obligation to struggle on in remembering every day that no matter what the world may think of me, no matter how I have been treated or dismissed, beaten or broken or violated, no matter how scarred or damaged, I am precious. No one can do this thing but me. In the words of a round that I like to sing in the mornings “I will believe the truth about myself. No matter how beautiful it is.”

In that way, pride is love for the world. It feels like a basic knowledge for a witch, and yet one we have to keep waking up to every day. I realized much later that it was South that came to get me that night in the forest, as I walked out hand in hand in the starlight without my armor on. With Sarofi singing, “wakey wakey, eggs and bakey!” because they are just not like the white people’s spirit guides. They curl around me now, as I drink my coffee. “So how is Namariel this morning?” they hiss good naturedly. I laugh. Because sometimes love surrounds me in a way that I can’t understand. I take a hit on my joint as I turn my wheelchair to get out of the sun. “Namariel, the Sword of the Powers, needs another cup of coffee,” I smile.

Book Chapters- The Moon to My Sun

Moon to My Sun

 This practice of devotion is a strange path. South has always seemed a bit unnerving to me, and I go about my day feeling watched. He has also taken to shoving me. I’m just beginning to work with him, and we’re trying to find ways to communicate. It takes time. This time around, it feels so different. I can feel his presence in a way I have never felt before. There is something about holy longing that sings to him. He no longer waits for me to call, he meets me upon waking. My life has become profoundly magical, snuggling with numinous beings and leaning into ecstasy.

Sometimes that means that he grabs me. Today I was rolling by my desk, on my way to my bed, and I got snatched. It felt like talons had closed on my shoulders. I reflexively pulled them tight around my ears. I sat in my chair as I said, “Ok, ok, I’m not going to fight. I won’t. I’m going to stop fighting any minute now…” I felt my chair turn and I was facing my desk. A voice that was not my own said, “pen, paper, write.” I picked up my pen and paper and the talons released, the voice became melodious, sensual, nearly a purr. I suddenly felt held, like something precious. And then I wrote down his love poem:

               

 

Will you be the moon to my sun?

Will you be my love?

You are as perfect as any other creation

As any nebula I have ever made.

Though you weep at your corruption

The pain that the body endures, the resonance of suffering

You are more alive than your purity of spirit ever was.

You are precious and mortal, and so painfully beautiful and dense.

 

Will you be the moon to my sun?

Will you write me a song?

Sing it to me, over and over

So when you pass I can weave it into the stars under my hand

I sang to you when you were young, I called your name.

And you answered me and claimed it as your own

A secret between us, an intimacy waiting to be revealed

Pain stole your voice, and the world is less without it

Write me a song, I promise I will remember all the words

 

Will you be the moon to my sun?

Will you be my sword?

You listened when I told you that you sang the pattern

A holy architect, an instrument of Hir will

I feel how you hate your mind on fire

And crave it all the same.

Do you understand that only mortals create for beauty?

Only they create art.

Without your eyes and ears the stars are lonely and silent.

 

Will you be the moon to my sun?

Will you be my voice?

You can look at my face and not be blinded

And in your face, I am reflected into the world

Don’t you remember when you were a child, how we sang together?

The secret that we kept, that my kind worship yours as you worshipped us.

If only you feared life as little as you feared death

Now your voice is silent and I cannot hear myself

I can wait forever but you cannot

 

Will you be the moon to my sun?

Will you be my love?

The way you flow as I move across your skin is beautiful to me.

I have no culture, no judgment, no critique

Only wonder at the miracle of you at all

Can you suspend your belief in your brokenness for the space of a breath

And lean against me, open your mouth, make a sound, any sound?

Write me a song, let me inspire you

I promise, I will remember all the words

 

 

Shiiiiiiiiiit. This is actually happening. This is not in my head. Ok, Sewa, this is the real shit. You know what your answer is. You gave it 25 years ago. Ah, fuck. I guess this is a thing. This is an adventure. 59 year olds in wheelchairs can still get into all kinds of trouble.

And also, this is him? This is the one who wooed me as a child, who sang with me in the backyard at night until my mom made me come inside and stop singing to the stars? This is the one who grabbed me outside the forest and told me my name? It’s been him all along. Well, damn.

Que suave, tambien.

Book Chapters- The Moon to My Sun

Journal Entry 8/6/19

Therapy day. Made even more exciting by my current state of pollution, weird dreams about Kees, and a classic Freudian slip. I always want to get my mileage out of a therapy session. I began with crying and railing about feeling polluted, corrupted in some way. My body fluids were exploding out of me, or being mechanically sucked out of me. Not feeling so sexy right now. I feel like something is happening to me, like some sort of forced purge, an effort to expel all the disgusting parts of me. Like a body when it rejects an organ, I feel like mine is trying to expel my soul. I am screaming in here as I am leaking blood and piss and shit and snot and tears and ichor.

“Ichor?” she queries, interrupting me. “Like the blood or gods or demons?”

I blink. “I meant lymph.”

“Well, I suppose that is correct in an archaic sense, but ichor?” She shifts in her seat. “Do you feel there is something inhuman about you? I ask because you usually find identifying as a monster empowering. This seems like a departure.”

I hold up the clear tube that holds the bubbles of fluid being sucked out of my wound by the wound vac. It makes me cry, quietly. “It’s not healing,” I say. Even I can hear the despair in my voice. “I feel like my body is disintegrating.”

And yes, she did say, “How does that make you feel?” She said something more like, “How do you feel about that?” Something to that effect. I said something that surprised even me. “I am corrupt and I must be destroyed.” We both stared at each other for a long while, and the she said simply, “tell me about your corruption.” And I sang a song that I didn’t think that I could, one full of grief, of how those who loved me always eventually try to destroy me. That they cannot abide me any longer at some point. There surely must be some evil in me that this happens over and over. I talk about my mother and  her mother. I get quiet.

“What about Kees?” she says.

I look up at her with my tear stained face. “Kees was mad.”

“Kees decided to love you. He wasn’t afraid of you. You can’t make him an exception. Kees was able to love you without demands and you brought him joy,” she said, her hands open in a reassuring gesture.

“This all happened so long ago, and I haven’t felt like this in years. So many years. Can I still have survivor’s guilt inside? Have I still not purged the grief and shame?” I slouched, defeated, with my story in tatters at my feet.

She tells me about trauma and the way the body deals with it. She knows I have spontaneous bruising, that I even now still deal with a neurology shaped by violence. There is a certain compassion in the Mighty B. She does not assume that because I have CPTSD that it means that I’m weak. I have to answer to the memory of Kees. No matter how awful my life has been at any given time, I have always had someone to love me. It is a blessing, and a privilege, because for most people, there really is no one to save them. But for some reason, I have always had love, even if others have sought to destroy me. And love is not enough, but it is better than any other survival tool I know.

Book Chapters- The Moon to My Sun

Journal Entry 8/3/19

Well, I haven’t posted here in a really long time. I have been very ill. I’m exhausted most of the time. Nothing interesting to write because I’ve mostly been sleeping.

I have been bleeding for weeks and weeks. Now it seems like that is a very small complaint, but when you are in a wheelchair, things get complicated. I cannot stand up long enough to use a tampon. And sitting all the time has its own complications when wearing anything else. I’m getting anemic, which makes me weak, making transferring dangerous. At this stage in my life, this isn’t supposed to be happening. Why am I bleeding at all? It worries me. I am really longing for menopause at this point.

Then I got sick, the sickest I have been in a really long time. I picked up a norovirus from somewhere and I spiked a fever. I was delusional from fever. My roommates would come in or out of the room to bring me water or tea and I would try to talk to them. The fever made it hard to know what was real and what wasn’t. I thought a cherry tree was growing through my window, but in my dream the cherries were too sour. I kept trying to tell Ruby, “don’t eat those cherries,” and she would just nod. It seemed like she was responding to me. Actually, I was just pointing and mumbling. I also had a dog, which I do not, and I kept trying to get them to read my book to me. She was a very devoted Shiba Inu. She would take out her little reading glasses and put them on, and read the book, but they would not read out loud. It was quite frustrating.

I had a dream that I had a zombie husband. I was dismayed about this because I did not remember getting married, not that he was a zombie. He was an ok guy, he didn’t try to eat my brain or anything. People were really mean to him, because he was a zombie, so they would kick his legs out from under him. I, of course, would get mad about this and yell at these people, and try to find whatever body parts may have gotten scattered. Ruby has declared that she does not approve of the zombie husband. When I, or anyone else, defend zombie husband, Ruby just replies, “Aim higher!” She does have a point. Also, the fact that I am the only person who is defending him is something typical of abusive situations. I keep trying to remind people that it was just a hallucination, but my friends have taken my hallucinations and run with them. It actually amuses me now that I’m up and starting to get around a little more. I do still want a Shiba Inu, but I won’t expect them to read to me.  However, the zombie husband is a complete pass.

A good amount of my time, however, was spent cowering on the toilet, with the trash can on my lap, being a fount of bodily fluids. In addition, I have a wound vac that is constantly sucking on the wound on my hip, which has grown to the size of a silver dollar. It looks like someone or something took a bite out of me. And I cry and scream while I do this, feeling my body trying to somehow cleanse itself of every last molecule of whatever it has deemed evil. I don’t understand, and I am not sure how much more of this I can take.

Book Chapters- The Moon to My Sun, The Book of Fire

On Pride

When you close your eyes and let yourself enter the realm of fire, all guides will take you to a cave. If you enter the cave, it takes you to the heart of the everything, a river red as blood that flows hot and steaming under the world. The River of Fate. Fate is not nearly as rigid as we dream it is. It is simply the pattern of all things, the natural law that moves stars and oceans and cycles of the moon. It is the song that vibrates the lines of the world. The River is the heart of the pattern and its twists and turns are not known to us. But if you find yourself standing on its banks, you will know you have come to the place of surrender. We want to fight the idea of fate, to say that we must disprove it in order to be free, as if freedom is chaos. It is not.

Pride is the feeling one has when one stands on that bank of the River of Fate. It is the knowledge that you stand at the center of the pattern, and that makes one feel great and small all at once. Fate is potential. It is the law that bends the lines of the world. You, my love, are part of that law, subject to it and the creator of it all at once.

Witches are the blades of the Goddxs, the forces that carry holy will into the world. So if you find yourself there, know that you are being called to imagine what has not become yet, and to jump into that river. There are rapids, but you won’t know where they are. There are falls and torrents, around the next bend. There are long slow stretches and sandy beaches, and secret pools and gentle eddies. The witch understands that to jump into the river is to surrender to desire and to allow fate to take its course. You do not get to decide how to get there. We are tools of outcome only. We know where we belong. We know we are entitled to this. The River of Fate is our birthright, the freedom to surrender.

This sounds so poetic, but it is not always easy, especially for those of us who have not known freedom from the time we were small. For so many, we were told that we were not entitled to our own wills and desires. We were born to serve. What happens when the descendants of slaves stand on the banks of the River of Fate? They scream. They rage. They fight every chain, literal and metaphorical, that has ever been placed on them or their ancestors. They writhe and struggle and curse. I have watched my students do this, confounded by the feeling. “What is this feeling?” they scream. And I carefully place my hand on their shoulders and say, “Entitlement, my love. That feeling is entitlement. The knowledge of your birthright.” And they scream some more. Freedom is painful at first. I remember standing there, too, with a white woman as a guide. She brought me here, to the River of Fate and was mystified by my screaming. I remember when I got my acceptance to graduate school. My grandfather said to me, with tears in his eyes, that he was born on a hacienda, with a name that was not his. And now this famous university was going to pay his granddaughter to get her PhD. He looked at me as his destiny. That sometimes your actions set the future in motion. Our people have always played the long game. It’s why any of us are even still alive. He stood there, eyes shining, with all the pride of a possession that was a possession no more, looking at the glory of his own decisions. My grandmother just rolled her eyes. I think she always knew about Fate, and it was no more mysterious to her than the action of yeast rising, or scrubbing the tile. As if to say, we knew this one was going to do this. Stop being weepy, old man.

I am not mystified. I understand that all those times that I have been told no have built a tether that prevents me from jumping in. But being Wo’I, a coyote through and through, I chewed my way through that tether. I am a child of Father Sun and I am going to jump into the goddamn mother fucking River of Fate. It’s a fight. It’s why Fire is a sword. This is the moment that I pick up the knife that my Grandmother gave me and carve a place for myself in the world.

We often look at fate as something already written, predetermined. But that only works in the Western way of things. If you are part of the world, made of the same stuff, then you are an active participant in fate. Unlike that idea of predetermination, fate is pattern. Pattern is the face of God. Fractal geometry, Fibonacci sequences, the paths of the stars in the sky. All of these are expression of a deeper law that dances underneath. The difference for Witches is that we know where the River of Fate lies. And we know that every time we close our eyes and surrender to it that we set a path in motion that is guided by higher patterns that we cannot see. But as Witches, we also know that something called us there. Something that needed to be born. And so we surrender to the labor pains that birth new things into the world. We are the bridge between the worlds.

This is often where white witches ask, “but how do I know?” Oh, babies, let me tell you something. You are not like them. You had to chew through the tether. You had to break through the chain. You fucking know. And as you stand there, finally, in possession of your birthright, panting from the effort with sweat dripping in your eyes and a maniacal smile on your face, you will know. No one gave you your sword, you had to forge your own. This wasn’t just some guided visualization exercise. You are here and you are fucking ready. At some point, you will say it. You will give in to South holding you and stroking you and asking what you want. You will turn in his arms and yell in his beautiful face the name of your desire. In that moment you will deserve it. In that moment you understand what Western witches do not know. He will laugh and shove you into the River of Fate. And you will burn down the world. Every one of you will burn it down. It’s why I have dedicated myself to dragging as many of your beaten down sorry asses here as I can. Because at some point, you will give in to his embrace and make a new world.

This is the secret that is held in fire. That fate is woven not by some force above us issuing decrees. Fate is the collected desires of those who enter the River. And interdependent souls are weaving a world not just for themselves, but for the whole. We know how it feels. When one of us fucks up, it reflects on all of us. White people are individuals, and endlessly tell you this, especially when you call them out on being white. But we know that we are never individuals. And where that may be against us with stereotyping, it is in the end our strength. We never jump into that River alone, but accompanied by every ancestor, every child, and every family spirit that our blood remembers. Every baby born to labor until death and every granddaughter who rose up out of the suffering and sheer cussedness of those who came before her. We understand that our actions affect all, even the dead. Our will is holy will. We know.

El Canto Hondo, the deep song, sounds in the River of Fate that flows beneath all things. We are awash in it. This is the song of mountains and hummingbirds. Of the rivers that flow in those tiny veins and arteries that power the tiny wings you cannot see but can only hear. The desire to be born. The desire to become. It drives the ever-shifting Self toward creation. We never change without shifting the pattern. It is our obligation and duty to make a world for all.

And when you get out, my love, dripping and exhausted, you have arrived. You have changed the world. Now you fall and weep, because your labor is done. The pattern is made. Now he lifts you, beloved South, and kisses your lips. Well done, he whispers. He told me once, when I was afraid, “there is nothing in this world that is not born of desire. Everything is a creation of love. If you can dare to speak it, mountains will fall at your feet.” I have no need for mountains to fall at my feet. But I understand what he is saying. Dream bigger. Create more. Take up your sword and meet your destiny. After all, you crafted both sword and destiny. Be the pattern and accept Fate. Not in resignation, but as a faithful companion. It is what you were born to do, Nephilim, it is what you were born to do.

Book Chapters- The Moon to My Sun

The Book of Fire

Pentacle points:

Fire on the Iron Pentacle is Pride. On the Pearl, it is Law. The two are connected by knowing one’s value and place in the world. You were meant to be here. In fact, many of us were brought here at great expense and effort. You are part of what makes this world, the blades of the Goddxs. Law is written in the lines of the world, it is there for you to read. It is the course of the stars, and the striations of minerals. Pride is the knowledge that every witch must have that they are here with purpose and resolve, to enact the law they know. The secret of this is that the will of the witch is holy will. It is simply the work of distinguishing the will of the ego from the will of the soul. And even though that is simple work, it is never-ending and difficult.

Color associations:

Red, like the color of blood

 

Direction:

South

 

Tool:

The Blade. Athame or sword, it is the physical embodiment of flame, shaped like it, born of it. The blade directs the use of energy, allows us to focus it in a specific direction. We charge the blade with ambient magic, we activate it with breath until it rings like a bell. Then we let it rip. Witches make their own lines of the world. This is how.

 

Guardian:

South (AKA Suavecito) is the muse, the source of inspiration. He is the seductive voice that whispers in your ear, “What do you want? You can have it.” That question has always terrified me. He reminds me at those times that the Fae are lawyers, but that magic is not. Fire is all about being willing to dare to create something else, something bigger, something wonderful. He challenges us to dream bigger. He wraps you in his many arms and sets you ablaze to create. His is the dance of the stars. Also, well, he doesn’t get the nickname Suavecito for nothing.

 

Gate between:

The Santa Clarita Mountains outside of Desert Hot Springs, CA. But in specific, there is a valley, up a wash in Anza Borrego park. It is guarded by cacti and rattlesnakes. The cactus spirit stands between two stones, but if you can get past, there is a flame that burns, about 6 feet off the ground. Sing to it at night and it will celebrate with you. The first time I went to Anza Borrego, I did just that. We built a small fire and sang all night. But the time I really understood was the first time I went back for Semana Santa. I hadn’t been to Easter at San Ignacio in so long, since I was a child. About 20 years. But when I did, driving along I-10, I could hear the mountains singing like sirens, singing “Welcome home!” I can’t imagine living there, but people do. It is a place like no other, an opening into a world of butterflies and white sheep on the cliffs, and desert flowers like fire and stars that bloom like doves, nestled in spines.

 

Gate within:

The gate for fire is the belly, the cauldron. Opening this place allows for one to connect to true desire and will. It also is the home of courage. Inside each of us is a piece of the unstoppable force, of holy will, that forges forward toward the liberation of our own soul. It often comes out as our voice when we don’t know why we are saying something hard, or a decision that feels like it is already decided when it arises. There is no going back. We feel that in our center, in our belly, the opening of a gate. It feels like fate, because it is. It simply is.